14 May 2014

Hansel + Gretel-Integration of Group Movement and Statue groups with Narrative-





Two forty  minute classes (one 90 minute) with presentation of work included. It is assumed that the pupils know the Hansel and Gretel story.

12 May 2014

What am I doing? Miming with Role Cards


To train pupils in

1.       Close observation

2.       Eye – hand coordination

3.       Signing

Start with a Magic bag of objects. A child reaches into the bag and feels an object.

Where am I? Incl. Role Cards


Where am I?

Who am I? Incl Role Cards


Who am I?  Preparing for  Role, incl. Cards 


 Who am I?

Master and apprentice model.

4 Mar 2014

Self Esteem

The Five pillars of Self -Esteem;click for back ground information.

Key principles to address as intervention in educational settings   The  ideas have been developed by  Robert Reasoner et al. He is a pioneer in this area of positive motivation

  Click here for Self esteem lesson plan for adults- adjust as you see fit

 

  1. Security

  2. Identity

  3. Belonging

  4. Purpose

  5. Competence

18 Oct 2013

GROUP MIME for early years and upwards

Mime
Adapted freely and edited from  http://drama-in-ecce.com/2012/05/11/mime-workshop-for-all-ages/


16 Oct 2013

Self esteem- and Drama in Education

 The Development of Drama  Education with Reference to its Application in Self–Esteem  


Summary

The lineage of Drama as an active learning method will be traced from the beginning of this century.  This sets the context in which Drama in Education evolved.    In this study I will review its use as a form of interactive collaboration and the development of models of drama from the personal to the social.
Connections to theories of socio-dramatic play will be illustrated. Developments in the role of the teacher and views on interventionist play will be described. Techniques and styles of drama will be examined, from Psychodrama to Drama for free-expression and Drama for personal development. More recent developments in Drama in Education will be reviewed, particularly teacher-as-participant type drama, which changed the educational purpose and dynamic into a heuristic social voyage in search of meaning.  

Silent Child


 Purpose : To introduce the group to Teacher in Role and Group in Role strategies

30 Sept 2013

Welcome to Go 4 Drama

Welcome to the Drama  Blog   

It is unique to your group and will contain the notes from the various workshops you participate in over your short introductory course.
You will participate in many activities which should form the basis for further exploration of this exciting area of interactive creative story making for,with and by children.

25 Aug 2013

Johnny's Education??

‘We are used to hearing our schools assailed by critics who want to know why ‘Johnny can’t read, Johnny can’t write’ and who call for a return to ‘the basics’… But why do we stop worrying there?

23 Nov 2012

Drama Storytelling techniques



1. It’s important in the classroom, to try to have complete silence before you begin, so that the children are concentrating and focused on the story and the person reading it. Turn off any background
music.



15 Oct 2012

Baby Bear and Goldie McLoughlin


  Goldilocks and the Three Bears
For Infants


Oh, Baby Bear! How could you do such a thing when we left you to mind the house on your own?

Silent Child and Goldilocks ( below)

http://4.bp.blogspot.com/-OtQ8Dg0YSkg/TsKwvVJcCLI/AAAAAAAABAI/C_SBFMeQhpY/s1600/imagesCAIU5MRP.jpg



THE SILENT CHILD/SILENT BEAR 

Purpose: To introduce the group to Teacher in Role and Group in Role strategies

8 Oct 2012

Working AS a group as well as IN a group.

Introductory Session

Approach: Interactive Playing, out of role, to socialise the group
Guiding principle: Using whole group extravert (working unselfconsciously in a group, individual focus- diverging out to the group) and whole group introvert (working as a group, social focus, converging on a concern).




Working in a group
· Pairs introduction. Introduce yourself to the person beside you. One minute each. Tell back to that person what you have heard. Then find another couple and introduce your partner to them.
· Circle.
· Good morning. Then with hands connecting and saying your name.
· Eye colour. How many people in this room here have blue eyes? Count them.(Include the teacher) .
Using PVC


[1] Titanic. 1.Move around the room in a circle as a group. When I clap you go quickly into groups of whatever number I call out. 2. Add Titanic tension. Bring to pair.
[2] Pair work counting 100 to 1 -distraction without touch.
[3] Circle of counting-Concentration. step in and count.If two step in then go back to beginning.for beginners try up to 5 first and extend as needed.

· Prerequisites of Drama . Explain Safety as psychological in nature as opposed to physical.
· Contrast origin and meanings of
[a] Theatre [Théaomai =behold the face of God] and Théatron [ where one watches a theatrical performance] and
[b] Drama in Education : [ Draó = to do and Educo to lead out (of ignorance) = Lead out by doing.
Remind about Diary to be written up each week.
at 15:30 Labels: Psychological Safety, Safe Environment

7 Feb 2012

An introduction to Play, Game and Drama with Children using the PVC system

 The PVC  system refers to  the Physical ,Verbal and Concentration stages of preparation of pupils to work imaginatively verbally and cooperatively. 

2 Dec 2011

25 Oct 2011

Drama Warm Ups and Circle Games

Circle Games


The Wind Blows: This is a good game for mixing up cliques

30 Nov 2010

Puppets




Puppet Techniques and ideas for working with juniors